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  • The photographic work of José María Mellado in the retrospective exhibition ‘Sala de Arte El Brocense, 1980-2020’.

    The photographic work of José María Mellado in the retrospective exhibition ‘Sala de Arte El Brocense, 1980-2020’.

    Important art collections inside and outside Spain treasure, today, the photographic work of José María Mellado. The relevance of his artistic career, accompanied by his constant work in relation to photographic technique, have brought him significant recognitions within which he figures, precisely, to be part of notable artistic reservoirs together with creators of different generations.

    Since last September 17, the Art Room El Brocense in the city of Cáceres, on the purpose of celebrating its 40th anniversary, has inaugurated a retrospective exhibition that takes a tour of the trajectory of the space, within which the work of José María Mellado is included. In its room it houses pieces by a select group of artists who during all these years have exhibited at its headquarters and later have gone on to form the valuable collection of contemporary art that they currently treasure.

    The photograph “Arqueología industrial II” (2002) by José María Mellado, belonging to the V Prize for Plastic Arts Sala El Brocense in 2002, is precisely one of the works that appears in this exhibition. The piece is part of an important creative stage of this photographer, where the lens of his camera found in the landscape a leitmotiv from which to explore the passage of time and the human footprint; fragments of reality that do not cease to excite and that Mellado has managed to capture unequivocally.

    Organized by the Provincial Council of Cáceres, the exhibition ‘Sala de Arte El Brocense, 1980-2020’, exhibits 40 works that make up the funds of the institution itself. In the words of the organizers, it constitutes “a review of the recent history of Spanish contemporary art and a recognition and heartfelt tribute to all those men and women who have passed through this Room.” From these creations a conceptual and visual discourse has been woven that starts from different languages, formats and styles and that go through a selection of authors where they appear: Emilio Gañán, Chus García Fraile, Hilario Bravo, Verónica Bueno, Luis Canelo, Carmen Cantabella, Beatriz Castela, Encarna Cortés, Paloma de la Cruz, Esperanza d’Ors, Florentinio Díaz,  Manuel Antonio Domínguez, Teresa Esteban, Pedro Gamonal, Jorge Gil, Julian Gómez, Mª José González Alonso, Belén González, Arancha Goyeneche, Jaime de Jaraiz, Victoriano Martín Terrón, Laura Medina Kiko Miyarés, Pilar Molinos, Ruth Morán, Isabel Muñoz, Lourdes Murillo, Juan José Narbón terrón, Carmen Pastrana, Arsenio Pérez, Luis Rosado, Javier Roz, María Ruíz Campins, María de Sande, Andrés Talavero,  Pedro Valhondo, Mª Jesús Velasco, Manuel Vilches and José María Mellado.

    We invite you to visit the exhibition that will open its doors until October 16 in the El Brocense art room in Cáceres from Tuesday to Saturday, from 11:00 a.m. to 2:00 p.m. and from 6:00 p.m. to 9:00 p.m.

    Video:

    El Brocense Art Room, 1980-2020. Special exhibition 40TH ANNIVERSARY

    https://www.youtube.com/watch?v=QX5s6yKhhFw

    Prensa:

    La sala de arte El Brocense de Cáceres celebra su 40 aniversario con una exposición retrospectiva de su trayectoria

    La Sala ‘El Brocense’ celebra sus 40 años con una exposición retrospectiva

    La sala de arte El Brocense cumple 40 años

    La Sala El Brocense de Cáceres celebra su 40 aniversario con una exposición retrospectiva

    La Diputación de Cáceres celebra el 40 aniversario de su sala de arte con la exposición “Sala de Arte El Brocense, 1980-2020”

    Exposición Sala de Arte El Brocense 1980 – 2020

     

     

     

     

     

  • “Imágenes que piensan III”, a photographic exhibition of the Bragales Collection.

    “Imágenes que piensan III”, a photographic exhibition of the Bragales Collection.

    From July 2 to August 1, 2021, José María Mellado (Almería, 1966) participates in the group exhibition “Imágenes que piensa III” that takes place at the Centro Nacional de Fotografía de Torrelavega (CNFoto).
    His piece “Castillo Urbano (Cardiff, 2004)”, belonging to the Los Bragales Collection, is part of this exhibition that seeks to put on stage a significant part of its national and international photographic heritage that had not been exhibited previously. An enigmatic image of Mellado where architecture takes center stage in the composition, plays to dislodge us before what seems a utopian landscape, at times unreal that displaces the human being in a gloomy and lonely environment.

    The collection, owned by Jaime Sordo from Santander, has toured several Spanish cities and arrives, this time, at the National Center of Photography of Torrelavega to show a selection of pieces that are valid for an important photographic tradition, through essential names within the contemporary visual panorama.

    Curated by Alberto Pérez Castaño, the exhibition is made up of 38 photographs of 29 national and international creators within which we can find Helena Almeida, Eija-Liisa Ahtila, Per Barclay, Botto & Bruno, Regina José Galindo, Rebecca Horn, Erwin Oalf, Joao Onofre, Miguel Río Branco, Georges Rousse, Margot Sowinska, Sascha Weidner, José Ramón Ais, Daniel Canogar , Maxi del Campo, Naia del Castillo, José María Díaz-Maroto, Susy Gómez, José Guerrero, Ángel Marcos, Alicia Martín, José María Mellado, Antoni Muntadas, Oceans21k, Perejaume, Alberto Ros Días, Santiago A. Sagredo and Mayte Vieta.

    Giving continuity to the work that to this day has been carried out by the Los Bragales Collection to socialize and exhibit the exceptional quality of the pieces it treasures, the exhibition “Images that think III” adds a new guideline to its immeasurable journey of which the author José María Mellado is also part with his photograph “Castillo Urbano (Cardiff) , 2004)” – image that also integrates the collections of the Museo Nacional Centro de Arte Reina Sofía)-.

    Media:

    CANTABRIA.-El CN Foto acoge ‘Imágenes que piensan III’, con 38 obras de 29 autores nacionales e internacionales

    El CNFoto acoge a partir del viernes 2 de julio la exposición ‘Imágenes que piensan III’ | Noticias de Torrelavega en EsTorrelavega.com

    El CN Foto acoge ‘Imágenes que piensan III’, con 38 obras de 29 autores…

    Fotos: ‘Imágenes que piensan’ la nueva exploración de la Colección Los Bragales

    Exposición fotográfica en Torrelavega: “Imágenes que piensan”

    ‘Imágenes que piensan III’ (colección Los Bragales) en el CN Foto

    https://www.facebook.com/watch/?v=215265227116842

     

     

     

  • EXHIBITION 50 FOTOGRAFÍAS CON HISTORIA. ROAMING IN GUADALAJARA

    EXHIBITION 50 FOTOGRAFÍAS CON HISTORIA. ROAMING IN GUADALAJARA

    As part of the cycle of planned roaming, the street exhibition “50 photographs with history” will remain on display until June 20 at the Paseo de las Cruces in Guadalajara, Spain. The exhibition – which at the same time is being presented at the Embassy of Washington D.C of the United States until September – continues to represent an important space of visibility and vindication of Spanish photography, based on the visual, historical and symbolic route proposed by its curators José María Díaz-Maroto and Gonzalo Revidiego.

    In this way, the work of important names of photography arrives in a new city, to propose a retrospective trip through eight decades of the discipline in Spain, where there are outstanding names, -some of them deserving of the National Photography Award-, such as Cristina García Rodero, Joan Fontcuberta, Chema Madoz, Gabriel Cualladó, Joan Colom, Carlos Pérez Siquier , Isabel Muñoz, Cristina de Middel, Ramón Masats, Ouka Leele, Alberto Schommer, Juan Manuel Castro Prieto; together with Agustí Centelles and Francesc Català Roca, both National Awards of Plastic Arts.

    They are joined by another significant number of creators such as Pablo Juliá, José María Mellado, Marisa Flórez, Sandra Balsells, Martín Santos Yubero, among many others who star, these days, in the visuality of these public spaces. An opportunity to stop looking, and delve into history from the lens and precise taking of the aforementioned authors that take us from the outbreak of the Civil War, to the postwar, the transition; to the contemporaneity contained in masterful captures that have become part of the historical reservoir of Spanish photography.

    “50 fotografías con historia”, a project of Signo Editores and organized by Acción Cultural Española continues its exhibition journey socializing and democratizing art, exposing these realities, characters and scenes in a way that is close to the public. A turn to the memory of Spain and photography as a faithful reflection of the historical and social evolution of a country, of a lived time.

    Abierta la exposición ‘50 fotografías con historia’, una muestra al aire libre de gran formato

    Press:

    El Ayuntamiento y Acción Cultural Española traen a la ciudad ‘50 fotografías con historia’, una nueva exposición al aire libre de gran formato

    ’50 fotografías con historia’, una nueva exposición al aire libre en Guadalajara

    Exposición: 50 fotografías con historia – GuadalajaraDiario.es – GuadalajaraDiario.es

    El paseo de las Cruces revive 80 años de historia en forma de fotografía

    50 fotografías con historia Guadalajara (España)

    Ayuntamiento de Guadalajara y Acción Cultural Española traen a la ciudad ‘50 fotografías con historia’, una nueva exposición al aire libre de gran formato

     

     

     

     

     

  • José María Mellado exhibits in “Galería de Espejos. 21 miradas andaluzas”.

    José María Mellado exhibits in “Galería de Espejos. 21 miradas andaluzas”.

    Until june 6, 2021 will be exhibited at the Andalusian Center of Photography (CAF) in Almeria, the exhibition “Gallery of Mirrors. 21 miradas andaluzas”, curated by Juan Manuel Bonet. One of the participating artists is, precisely, José María Mellado who shares the stage, this time, with important creators such as Fran Bascuñana, Laura Brinkmann, Pablo Castilla, María Clauss, Manolo Espaliú, Héctor Garrido, Lola Guerrera, José Guerrero, Claudia Ihrek, Juan del Junco, Camino Laguillo, Aitor Lara, Pablo López, Mar Martín, Antonia Moreno, José Muñoz Manuel Muñoz , Erika Pardo Skoug, Virginaia Rota and Elo Vázquez.

    Taking as a starting point the title of a book by writer Rafael Lasso de la Vega, “Galería de Espejos. 21 miradas andaluzas”, is proposed as a contemporary visual journey on Andalusian photography. In this way, the pieces by José María Mellado that are part of the exhibition respond to a curatorial discourse that focuses on mirrors, landscape and memory from an introspective perspective.

    Mellado’s photography is linked in a visual and conceptual way with the exhibition from the presentation of three images whose reading leads us to connect with that dreamlike and romantic component that underlies his creative production. Evocative, enigmatic landscapes of extreme subtlety and compositionally exquisite is what we find in the author’s pieces. And it is that his images make us go through a world of fabulations that appeal above all to our life experience where his images are the starting point to make our mind transcend to another plane of reality.

    Three photographs that do not leave us indifferent and that lead us all the time to rethink the relationship we establish with our environment, with our reality. Images that play with temporality, that dislodish our sense of the here and now to displace our senses to an emotional and evocative plane, which José María Mellado has not been able to define better when he expresses “man does not remain but the landscape does”.

    We share the interview that about the exhibition “Gallery of Mirrors. 21 miradas andaluzas” has been made to the photographer José María Mellado; an opportunity to know from the hands of the artist some of the interiorities of the pieces that make up this exhibition, open to the public until next June 6, 2021 at the Andalusian Center of Photography (CAF) in Almeria.

    Galería de espejos. 21 miradas andaluzas. Interview with José María Mellado

    We also leave you with the guided tour at the hands of the curator of the exhibition Juan Manuel Bonet https://youtu.be/mj9v14dpBSY

    More information at https://mellado.info/es/galeria-de-espejos-21-miradas-andaluzas/

     

  • Diálogos. 40 years of photography in Cordoba

    Diálogos. 40 years of photography in Cordoba

    “Diálogos. 40 years of photography in Cordoba” highlights the photographic work of José María Mellado.

    Cordoba has become a reference for contemporary art with the celebration of the Biennial of Photography. For 17 editions he has put on stage the artistic worth of the medium with an international focus. To this day, several have been the creators who have participated in their different calls, matching their images, exchanging and generating a visual dialogue between their works, the Cordoba context and their visitors.

    This year the XVII Biennial of Photography of Cordoba has focused on recognizing the work carried out throughout these editions. The extensive exhibition programme presented under this highlights this. Within it stands out the participation of the photographer José María Mellado as one of its protagonists, recognizing not only his transit through this event, but also his career at the national and international level.

    José María Mellado, in addition to participating with the personal exhibition “Closer”, inaugurated on April 9 at the Teatro Cómico de Córdoba, is also part of the collective exhibition “Diálogos. 40 years of photography of Cordoba”, curated by José Francisco Gálvez in the Vimcorsa room. In it he shares the stage with important artists such as Juan Vacas, Franco Fontana, Catherine McIntyre, Concha Adán, Pablo Juliá, Juan García-Gálvez, Gabriel Cualladó, among others.

    “Napias” (Almería, 1966) is the piece of Mellado that we can enjoy in the exhibition, made up entirely of a selection of 179 works belonging to the funds of the City of Córdoba and the personal collection of the curator of the José Francisco Gálvez project. Precisely this is one of the most recognized photographs within the artistic work of José María Mellado, which goes back to its origins, where the prominence was held by his images of black and white reporting. A work with a marked documentary character in which the author has captured an enigmatic scene with which he plays on a visual and conceptual level. “Napias” earned him, in 2000, the Xiv Honor Prize Contest “City of Córdoba” Super Mosque, lauro awarded by the AFOCO Foundation.

    “Dialogues….” – and the biennial in its broadest sense – have become an opportunity to value the work of artists, managers, projects and public and private initiatives by bringing the most representative of national and international photographic art to southern Spain.
    Among them the Association of Cordobeses Photographers, an entity that since its birth, in 1981, has been key in the development of the biennial.

    AFOCO has laid a bridge of relations between the city and photography, creating a documentary platform of great value. Added to this is the work of management and collaboration that has favored the constant flow of creators of the most dissimilar nationalities who have bequeathed their works to the city of Córdoba and who today allow to make a historiographic tour through the lens of renowned authors.

    The exhibition, united in three exhibition blocks The Precursors (1945-1980), The Middle Land (1981-2020) and On the Limits of Reality (Final twentieth and twenty-first century), runs through different eras, characters, stories and realities through which the story of photography is told of both the Cordoba city itself, Spain and the rest of the world. The integrative approach, of concord and coexistence generated by this exhibition, highlights one of the premises that has underpinned to this day the Biennial of Córdoba, assumed in the title of the exhibition itself: the expanded dialogue to all creators and lovers of photography, within which José María Mellado becomes one of its main protagonists.

    https://www.youtube.com/watch?v=xVkZ2rXJ3uA

    The exhibition “Dialogues. 40 years of photography of Cordoba” can be visited until May 23rd at the headquarters of this exhibition. We invite you to consult the information regarding this exhibition as well as the other exhibitions and activities that are part of the exhibition program of the Biennial of Photography inhttps://bienaldefotografia.cordoba.es/dialogos-40-anosde-fotografia-en-cordoba/

     

    Pictured: left to right Juan García-Gálvez, José María Mellado, José Francisco Gálvez y Pablo Juliá.

     

     

     

  • CLOSER by José María Mellado arrives in Córdoba!

    CLOSER by José María Mellado arrives in Córdoba!

     

    On April 9th the exhibition “CLOSER” by José María Mellado opened its doors in the newly opened Teatro Cómico de Córdoba. A new itinerant of the exhibition that joins this time to the exhibition program of the 17th edition of the Biennial of Photography of Córdoba “Images Inmunes”, organized by the Andalusian Center of Photography that can be visited until May 23.

     

    CLOSER, curated by Pablo Juliá, takes as a starting point the landscape, which has been masterfully documented in the work of José María Mellado throughout his artistic production. The proposal for the Teatro Cómico de Córdoba, however, takes us through other defeaters and invites us to delv into a composition of the most intimate and psychological image with which the author transgresses simple representation.

     

    En palabras del comisario de la exposición, Pablo Juliá, la obra de Mellado “cuidada en el detalle, nos habla de las relaciones del hombre, o su huella, con el paisaje que habita…”. Este es precisamente el leitmotiv que aúna las fotografías de esta muestra. Las piezas seleccionadas, en esta ocasión, realizan un viaje enigmático y transitan por escenarios donde ha quedado plasmada, de una u otra manera, la huella del hombre.

     

    With a refined photographic technique, playing with compositions and framing, and also including high quality photographs made with mobile (in tune with its most recent publications), 35 images of different cities, landscapes and enclaves are presented where the concept of absence/presence is spinning the narrative thread of the exhibition. CLOSER thus unfolds a whole subjective and sometimes alienating landscape that often appears to question our actions in space; enigmatic scenes and extreme subtlety that – quasi hyperrealistic paintings – make us vibrate emotionally, until those moments when human presence becomes dormant in waste, even though physically it is not observed.

     

    For Mellado, in CLOSER, the landscape becomes an excuse to assume other topics that are already constant within its creation, but this time put to dialogue from another look, from the inside of the being. The nude, the abandonment, the loneliness, the fleetingness of the instant, life in the broadest sense of the word, are peeked into each of the images.

     

    One of the pieces that synthesizes this thesis is precisely “Teatro Campoamor en ruinas”, an instant taken in Havana, which arrives at the Teatro Cómico de Córdoba in a special production. The proposal that José María Mellado has conceived specifically for this space, appropriates the same concept of theater to overlay, to this, the image of one of the most enigmatic scenarios of the island of Cuba. The ruined photograph of Campoamor establishes a thoughtful dialogue with space and other pieces questioning, between clues, not only what has once been the result of that imprint of man, but the immanent capacity of nature to regain its medium and give life to what seems to have come to an end.

    Learn more

    Image gallery

    Media appearances

    – El día de Córdoba (09 Abril, 2021)
    La Bienal de Fotografía de Córdoba muestra el alma escondida de los lugares insólitos retratados por José María Mellado en ‘Closer’ (eldiadecordoba.es)

    Un recorrido por la exposición ‘Closer’, de José María Mellado (eldiadecordoba.es)

    – Diario de Córdoba (09 Abril, 2021)
    José María Mellado ahonda en el perfil más íntimo del paisaje – Diario Córdoba (diariocordoba.com)

    – Europa Press (09 Abril, 2021)
    El Centro Andaluz de la Fotografía participa en la bienal de Córdoba con la exposición ‘Closer’, de José María Mellado (europapress.es)

    – Cordópolis (09 Abril, 2021)
    ‘Closer’: el rostro del paisaje urbano, según José María Mellado (eldiario.es)

    – ABC (09 Abril, 2021)
    Bienal de la Fotografía de Córdoba | ‘Shooting’, huella del hombre en el paisaje de José María Mellado (abc.es)

    – Córdoba Buenas Noticias (09 Abril, 2021)
    La exposición ‘Closer’, de José María Mellado participará en la XVII Bienal Internacional de Fotografía de Córdoba (cordobabn.com)

    – Sierra de Cádiz Informa(09 Abril, 2021)
    ‘Closer’: el rostro del paisaje urbano, según José María Mellado (sierradecadizinforma.es)

    – Gente Digital (Córdoba, 9 de abril de 2021)
    El Centro Andaluz de la Fotografía participa en la bienal con la exposición ‘Closer’, de José María Mellado (gentedigital.es)

    – Diario de Almería (10 Abril, 2021)
    Las fotografías de José María Mellado llegan al Teatro Cómico de Córdoba (diariodealmeria.es)

    – Ideal (10 Abril, 2021)
    Cultura en Almería | El CAF participa en la XVII Bienal Internacional de Córdoba con ‘Closer’, de José María Mellado | Ideal

    – Córdoba Hoy (11 Abril, 2021)
    “Reivindico el móvil como herramienta para hacer una fotografía que puede estar en una exposición” (cordobahoy.es)

  • XVII International Photography Biennial of Cordoba

    XVII International Photography Biennial of Cordoba

    From March 26 to May 23, 2021, Córdoba becomes the capital of photography through the XVII International Biennial of Photography that will reflect the immunity of the image against the passage of time.

    The event will feature 14 exhibitions by creators such as Manuel Lama, Moreno Carretero, García Rodero, José María Mellado, Manuel Viola, Isabel Muñoz, Toni Catani, Alberto Schommer and Gervasio Sánchez.

    The Teatro Cómico will host CLOSER, exhibition by José María Mellado in which he shows us his particular interpretation of the landscape.

     

    Learn more about CLOSER exhibition at the Cordoba Photography Biennial

    The opening of the exhibition “Dialogues. 40 years of photography of Cordoba”, opens the XVII Biennial of Photography of Córdoba. The exhibition features 179 works by artists such as Juan Vacas, Franco Fontana, Juan García-Gálvez, José María Mellado, Ramón Azañón, Catherine MCIntyre and Concha Adán, among others. The images are grouped into three different spaces identified with the different eras of the evolution of photography at the local, national and international levels.

     

    Learn more about Dialogues. 40 years of photography in Cordoba

    Press links:

    Diario de Córdoba. Arranca la Bienal

  • GALERÍA DE ESPEJOS. 21 miradas andaluzas

    GALERÍA DE ESPEJOS. 21 miradas andaluzas

    On March 8, 2021, the Mirror Gallery exhibition opens to the public. 21 Andalusian Looks, curated by Juan Manuel Bonet at the Andalusian Center of Photography.

    It has works of the following artists:

    Fran Bascuñana, Laura Brinkmann, Pablo Castilla, María Clauss, Manolo Espaliú, Héctor Garrido, Lola Guerrera, José Guerrero, Clauida Ihrek, Juan del Junco, Camino Laguillo, Aitor Lara, Pablo López, Mar Martín, José María Mellado, Antonia Moreno, José Muñoz Manuel Muñoz, Erika Pardo Skoug, Virginaia Rota and Elo Vázquez.

    https://www.noticiasdealmeria.com/galeria-de-espejos.-21-miradas-andaluzas-en-el-caf

    https://www.diariodealmeria.es/ocio/CAF-presenta-exposicion-Galeria-andaluzas_0_1553846406.html

    https://www.diariodesevilla.es/ocio/Galeria-espejos-presente_0_1567645388.html

    I also provide you with the link of the news in the news of Canal Sur (minute 8:52):

    Informativos Canal Sur

     

     

  • JOIN THE Jibaro Photos COLLECTIVE

    JOIN THE Jibaro Photos COLLECTIVE

    Last January 2021, José María Mellado, joined the Jíbaro Photos collective.

    Jíbaro Photos, is a group of photographers who share the objective of showing the reality of Cuba, through their vision of the landscape, the human condition and Cuban culture, showing the intrahistory after the photographic taking.

     

    Access to Jíbaro Photos

    Magazine Jíbaro Photos

     

     

     

     

  • INTERVIEW IN EFCH MAGAZINE Negra

    INTERVIEW IN EFCH MAGAZINE Negra

    The magazine Negra, is a publication of the School of Creative Photography of Havana dedicated to the promotion and study of Cuban photography, welcoming in its pages both national creators and other photographers with extensive experience in the world of photography.

    In its number 42 of May 2020, the interview with José María Mellado is published.

    Leer entrevista